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This section presents a series of drawings.
They are made with India ink, chalk, felt-tip pens, and other graphic mediums.
The style is intentionally understated — sometimes minimalist — blending introspection with discreet satire.

The scenes emerge from everyday life — lived anecdotes, observed details —
filtered through the gaze of a fictional character.
Silent and attentive, this discreet witness drifts through public or semi-private spaces, on the edge of the noise.
He observes without interfering, revealing through his mere presence the absurdity, tenderness, or poetry of certain moments.

Through his gaze, a mute theater unfolds.
Each line becomes a note of observation; each contrast, a thought in suspension.
Beneath the soft humor or lightness of the line, a deeper reflection takes shape.
It touches on social mechanics, the weight of habits — and the fragile sweetness of forgotten instants.

Some drawings discreetly echo the visual language of the foreign Nabi, Félix Vallotton. This is achieved not by imitation, but by an affinity of spirit.
The art of the black line, of contained tension and lucid silence, finds natural resonance here.

Occasionally, new drawings will join this silent gallery. They emerge through days, anecdotes, and graphic fragments of the soul.

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Introspective and satirical drawings in ink and line, blending observation and visual poetry.